Social Identity of the girl in Boys and Girls
Order ID |
53563633773 |
Type |
Essay |
Writer Level |
Masters |
Style |
APA |
Sources/References |
4 |
Perfect Number of Pages to Order |
5-10 Pages |
Description/Paper Instructions
Social Identity of the girl in Boys and Girls
McClellan 1
Sara McClellan
Professor Obermeier
English 200
12 September 1997 |
Initiation and Social Identity of “the girl” in “Boys and Girls”
Recent history boldly notes the protests and political unrest surrounding the Vietnam Conflict during the 1960s and 70s. However, equally important in this era are the women who pushed for gender role reevaluation and publicly rebelled against the established social norm of a woman’s “place.” Although Alice Munro may not have been burning her bra on the courthouse steps, threads of a feminist influence can be found in “Boys and Girls.” Munro’s main character, a girl probably modeled after Munro’s own childhood experiences on an Ontario farm, faces her awakening body and the challenge of developing her social identity in a man’s world. “The girl,” an unnamed character, acts as a universal symbol for the initiation of a girl into womanhood. Through first-person narrative, Munro shoes the girl’s views of her budding femininity and social identity by describing the girl’s conceptions of her parents’ work, her parallel to the wild mare Flora, and the “mysterious alterations” in her personal nightly stories (Munro 474). As if to forsake her femininity and forego a life of confinement and housework, the girl reveres her father’s work and condemns her mother’s duties. The sum of the girl’s respect seems to lie with her father, as is evident in her reference to his work outdoors as “ritualistically important” (468). On the other hand, while the girl recognizes that her mother is busy, she still considers her mother’s “work in the house [to be] [·] endless, dreary and peculiarly depressing” (468). The division between her parents’ tasks is especially apparent in the girl’s reaction to her mother’s presence at the barn. She feels threatened by her mother’s appearance, calling it “out of place” and saying her “mother had no business down [there]” (468). The girl distrusts her mother and believes her to be out of touch, while helping her father in “his real work” (468). Surprisingly, the girl’s desire to avoid the manifestation of her femininity in womanly tasks, such as cooking and cleaning, influences her into feeling that her mother is “plotting now to get [her] to stay in the house [. . ]. and keep [her] from working for [her] father” (469). The girl chooses to dismiss her mother, thereby dismissing her own future role as a housewife. In an attempt to reflect the girl’s changing awareness of her social identity and femininity, Munro weaves in a young sorrel mare, Flora. As the expectations of the girl’s pending role in society grow, Flora takes up residence in the stable and adds an “air of gallantry and abandon” (470) to the girl’s sheltered life. Just as the girl experiences confusion and angst, “Flora [is] given to fits of violent alarm” (470) of more of tangible nature. An approaching crossroad in Flora’s life, namely her death, parallels the crossroad of identity the girl is facing. With the realization of Flora’s death, the girl adopts “a new wariness, a sense of holding-off, in [her] attitude to [her] father and his work” (473), causing her to question the very foundation of her social opinions up to that point. By allowing Flora to escape through the gate, the girl symbolically opens the passageway to her feminine side. Even in its futility, this act sets the stage for a new level of consciousness for the girl. Ironically, one of the girl’s most heightened moments of awareness to her changing role comes during an instance of imagination. Rather than “opportunities for [personal] courage, boldness and self-sacrifice” (466), as in her past stories, the girl’s new stories concern themselves with her personal peril or need for rescue. Also, the added element of “what [she] looked like” comes into play to the degree that “the real excitement of the story [is] lost” (474). This “damsel in distress” mentality is a recognizable universal factor in the maturation of a girl to a woman. The girl’s climactic realization becomes clear to her family, too, as she breaks into tears at the dinner table. Whether this quantifies complete acceptance with the girl, however, is not solidified by Munro due to the final sentence: “Maybe it was true” (475). Through opinion, comparison, and imagination Munro details the girl’s journey from a rebellious tomboy to a slowly blooming woman. The characteristics so endearing to the girl’s developing identity, such as her assistance in Flora’s escape and her unwillingness to easily submit to the social constraints of life as a woman, also lend themselves to her universality as a representative to initiation to femininity. Munro’s own personal views of femininity arguably color this work, “Boys and Girls.”
Works Cited
Munro, Alice. “Boys and Girls.” The Norton Introduction to Literature. Eds. Carl E. Bain, Jerome Beaty and J. Paul Hunter. 6th ed. New York: Norton, 1995. 465-75. Print.
RUBRIC
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POOR / UNSATISFACTORY |
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EXCELLENT |
Content (worth a maximum of 50% of the total points) |
Zero points: Student failed to submit the final paper. |
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30 points out of 50: The essay illustrates a rudimentary understanding of the relevant material by mentioning but not full explaining the relevant content; identifying some of the key concepts/ideas though failing to fully or accurately explain many of them; using terminology, though sometimes inaccurately or inappropriately; and/or incorporating some key claims/points but failing to explain the reasoning behind them or doing so inaccurately. Elements of the required response may also be lacking. |
40 points out of 50: The essay illustrates solid understanding of the relevant material by correctly addressing most of the relevant content; identifying and explaining most of the key concepts/ideas; using correct terminology; explaining the reasoning behind most of the key points/claims; and/or where necessary or useful, substantiating some points with accurate examples. The answer is complete. |
50 points: The essay illustrates exemplary understanding of the relevant material by thoroughly and correctly addressing the relevant content; identifying and explaining all of the key concepts/ideas; using correct terminology explaining the reasoning behind key points/claims and substantiating, as necessary/useful, points with several accurate and illuminating examples. No aspects of the required answer are missing. |
Use of Sources (worth a maximum of 20% of the total points). |
Zero points: Student failed to include citations and/or references. Or the student failed to submit a final paper. |
5 out 20 points: Sources are seldom cited to support statements and/or format of citations are not recognizable as APA 6th Edition format. There are major errors in the formation of the references and citations. And/or there is a major reliance on highly questionable. The Student fails to provide an adequate synthesis of research collected for the paper. |
10 out 20 points: References to scholarly sources are occasionally given; many statements seem unsubstantiated. Frequent errors in APA 6th Edition format, leaving the reader confused about the source of the information. There are significant errors of the formation in the references and citations. And/or there is a significant use of highly questionable sources. |
15 out 20 points: Credible Scholarly sources are used effectively support claims and are, for the most part, clear and fairly represented. APA 6th Edition is used with only a few minor errors. There are minor errors in reference and/or citations. And/or there is some use of questionable sources. |
20 points: Credible scholarly sources are used to give compelling evidence to support claims and are clearly and fairly represented. APA 6th Edition format is used accurately and consistently. The student uses above the maximum required references in the development of the assignment. |
Grammar (worth maximum of 20% of total points) |
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10 points out 20: The paper is often unclear and difficult to follow due to some inappropriate terminology and/or vague language; ideas may be fragmented, wandering and/or repetitive; poor organization; and/or some grammatical, spelling, punctuation errors |
15 points out of 20: The paper is mostly clear as a result of appropriate use of terminology and minimal vagueness; no tangents and no repetition; fairly good organization; almost perfect grammar, spelling, punctuation, and word usage. |
20 points: The paper is clear, concise, and a pleasure to read as a result of appropriate and precise use of terminology; total coherence of thoughts and presentation and logical organization; and the essay is error free. |
Structure of the Paper (worth 10% of total points) |
Zero points: Student failed to submit the final paper. |
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5 points out of 10: Appearance of final paper demonstrates the student’s limited ability to format the paper. There are significant errors in formatting and/or the total omission of major components of an APA 6th edition paper. They can include the omission of the cover page, abstract, and page numbers. Additionally the page has major formatting issues with spacing or paragraph formation. Font size might not conform to size requirements. The student also significantly writes too large or too short of and paper |
7 points out of 10: Research paper presents an above-average use of formatting skills. The paper has slight errors within the paper. This can include small errors or omissions with the cover page, abstract, page number, and headers. There could be also slight formatting issues with the document spacing or the font Additionally the paper might slightly exceed or undershoot the specific number of required written pages for the assignment. |
10 points: Student provides a high-caliber, formatted paper. This includes an APA 6th edition cover page, abstract, page number, headers and is double spaced in 12’ Times Roman Font. Additionally, the paper conforms to the specific number of required written pages and neither goes over or under the specified length of the paper. |
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