Conducting Skills of the Beethoven symphony No.1, movement 1

this order is for writing Beethoven Symphony No.1 in Movement 1 with the conducting skills like how do you conduct the movement 1.
here is the youtube link about the analysis of symphony 1, please check it out first and refer to it:
https://www.youtube.com/watch?v=L8HEN7JZ4r4
https://www.youtube.com/watch?v=um51-0Hv-b4
then, I upload files which one is the example paper, please follow the example paper to do it except the last “corrections and ammendations”, another one is the analysis for the movement 1, you can use that information in the paper.
please add some images with only a few bars of music as the examples to show your discussion(i will upload the music too)
if you are conducting this movement, how will you do in the music, how do you cue the players, how do you conduct the emotions, and so on.
the use of the number of references will be up to you, you can use more than 4.
let me know if you have any questions.

Beethoven symphony No.1, movement 1, Adagio Molto

Form: Sonata form in C major

Introduction: bar 1-12 (conductor emphasizes the dynamic forte in the first, second and forth measure of the first chord.)

Exposition: bar 13-109

                   -Theme 1 in m 13- 33, violin 1 plays the melody of theme 1, cue the string group when the theme 1 comes up with the dynamic “P”- soft)

                   – bridge passage in bar 33-52

                   – Theme 2 in bar 52-88 (this part more lyrical and soft)

Codetta: bar 88-109 (use of theme 1 motifs.)

The exposition part then repeats…

Development: bar110- 178 (Thematic elaboration) (development part starts with violin 1, conductor cue the violin1 with the dynamic “P”-soft)

Recapitulation: bar 178- 298

• Bar 178-188 (theme 1 returns in string group from bar 178)
• bridge passage: Bar189- 205
• bar 205- 241 theme 2

Codetta: Bar 241- 259

Coda: bar 259- 298

• starts from bar 289 to end with “ff” (fortissimo) – very lound